There are no approved quotes yet for this movie. Cannes Film Review: 'Sibyl' Justine Triet's second highly pleasurable collaboration with actress Virginie Efira is a witty, slinky psychodrama with just enough on its mind. But her newest patient Margot, a troubled up-and-coming actress, proves to be a source of. 'Sibyl' Review: A Stylish Thriller with Dark Ideas About the Dangers of Storytelling Justine Triet's elegant story of a psychotherapist who steals her patient's story for a novel is a clever.
With Virginie Efira, Adèle Exarchopoulos, Gaspard Ulliel, Sandra Hüller. But her newest patient Margot, a troubled up-and-coming actress, proves to be a source of inspiration that is far too tempting. Fascinated almost to the point of obsession, Sibyl becomes more and more involved in Margot's tumultuous life, reviving volatile memories that bring her face to face with her past.
One such is Sybil, directed and co-written by French film-maker Justine Triet, making her Cannes competition debut. It is a muddled, silly comedy-drama starring Virginie Efira as a psychotherapist. "Shirley" is a strange, gothic look at "The Haunting of Hill House" author Shirley Jackson. I have never seen the movie but, of course, knew what I was in for when I got the book. In our Sibyl review, we take a look at a comedy all about people making some truly awful decisions and spiraling out of control.. Caroline Cao is a Houstonian native and writer of movie reviews. A straight-A high student scrambles to become a hip-hop dancer for her college application in this Netflix dance movie that pays homage to the genre.
Trailer Sibyl
By Natalia Winkelman At the heart of this. Buy movie tickets in advance, find movie times, watch trailers, read movie reviews, and more at Fandango. Enter your location to see which movie theaters are playing Sybil near you.
ENTER CITY, STATE OR ZIP CODE GO. Sibyl, screening as part of the French Film Festival has been billed in places as a comedy-drama, however, its current designation as drama or, better still, psychological drama, is resoundingly accurate. With two fine performances at its centre, it is a female directed film which doesn't pit the two women against each other, or create some. Sibyl's fragile sobriety, and the endless ebbs and flows of addiction, literalize this universal defense mechanism against losing.