Also, "Sweet Virginia" is not a character in this Alaska-set movie; rather, it is the name of the motel Sam owns This is one of those movies concocted by people who've seen too many movies; whose experience of violence and crime derives entirely from movies; whose main motivation is derived from. Smart and well-acted, Sweet Virginia delivers a tense, atmospheric thriller that transcends genre conventions even as it embraces them. The Film Fanatic Review of Sweet Virginia directed by Jamie M.

Sweet Virginia movie reviews & Metacritic score: In the wake of a triple murder that leaves the residents of a remote Alaskan outpost on edge, tightly wound. Christopher Abbott and Jon Bernthal in "Sweet Virginia."Credit. Dagg, written by Benjamin China and Paul China, and starring Jon Bernthal, Christopher Abbott.

Sweet Virginia

Sweet Virginia IFC Films Reviewed by: Harvey Karten, Shockya Grade: B Director: James M. Dagg Written by: Ben China, Paul China Cast: Jon Bernthal, Christopher Abbott, Imogen Poots, Rosemarie DeWitt, Odessa Young The post Sweet Virginia Movie Review appeared first on Shockya.com. Yes Virginia, there is a Sanity Clause, and Elwood has violated it. To be fair, this probably wasn't the right movie to have to pause halfway through so I I enjoyed Sweet Virginia a lot. There are some really good performances in this one. It's shot well--nothing spectacular, but routinely serviceable and.

Trailer Sweet Virginia

Sweet Virginia invests its energy in gradually sorting out for us how the principal characters connect to the murders of three men in a restaurant during the Much of Sweet Virginia is composed of generic B-movie brooding. The dialogue is rife with cryptic references to the past and with allusions to events. Sweet Virginia is an odd title for a movie set in Alaska.

An early version of this moody, atmospheric neo-noir thriller was located in the Appalachian Mountains; however, when director Jamie M. Dagg came on board, he moved the setting far to the north. Trenchcoats and fedoras may not be in vogue anymore, but the noir trappings remain easily discerned in Sweet Virginia. Christopher Abbott essentially has two modes: Intense, and way more intense.